TEDx HAPPENED!

You may have noticed me on Twitter speaking about TEDx. Well, it happened, and it went really well.

TEDx is an offshoot of the TED talks, where a collection of speakers come and do short talks on a subject of their choosing. The x marks the event as independently organised. One of my friends, Tanya, decided we should do a TEDx event. She looked into getting a license, she got one, and plans started being made.

  

We had a mix of students and external speakers and performers, all covering a range of topics.

NON PRATT, author of TROUBLE and REMIX, talked about how we condition generations into genders.

SARAH SKY, author of the JESSICA COLE series, gave us a quick tour though female spies, past and present.

The A LEVEL DRAMA group did part of their performance of Monsters, revolving around the killing of Jamie Bulger

SHONA DIXON analysed  the response to Ebola.

DR GEORGINA NEALL talked about, among other things, how she balances studying, working, and raising four children.

TOM POLLOCK, author of THE SKYSCRAPER THRONE series, examined the media's role in creating fear in the masses.

GABBY WASSER told us about how mushrooms can help, heal, or bring about an apocalypse

CHARLOTTE SPRUZEN was one of two explaining the science of science fiction, looking at how time travel would theoretically work.

SONDER, a band made up of two students, played two songs.

SARAH RABY BUCK gave the second science of science fiction talk, explaining how biochemistry could work on other worlds.

NATALIE RUSSO talked about the importance of language and why it's not too late to learn a new one.

JEANNIE GALSTON , ex Miss Universe, told us what it was like to be a model in the days before Photoshop.

NAFEESA MOHAMMED performed some of her work (she's an amazing slam poet) and what poetry means for her.

I, NINA CRISP, did a talk about why you should diversify your reading. What else would I say?

REBECCA JURDON summed up very eloquently the failings of an exam orientated education system.

All these talks will soon be available on YouTube, so if you missed them and want to see them, or if you want to relive them, you can! I'll link them when they're available.

We had a selection of world food, both main and desert. The highlights were the  cupcakes. We sold books, both the authors' and some diverse ones I highlighted in my talk.

We also had plans to have a bloggers' alley, but it didn't work out because we forgot that devices need to be registered to the school's WiFi system to work, and that the council's service blocks all blogs anyway. Still, it was brilliant to see FAYE (A Daydreamer's Thoughts) and FIONNUALA (Books for Birds).

Thank you, everyone who came and supported us, especially all our external speakers and bloggers who came from a long way away! Also, thank you all the people who worked hard on making TEDx Beaconsfield High a thing. It was brilliant.

The Skyscraper Throne reread- Chapters 1 to 4

Apologies for lateness of the post! I'm not sure if you noticed, but I really like Tom Pollock's The Skyscraper Throne series, and I'm hugley excited for Our Lady of the Streets. To lead up to its release in August, Jo Fletcher has been holding a reread of the books, with and we're now at the start of The Glass Republic. This summary will have spoilers for The City's Son, but I'll try and keep them to a minimum.

Chapter 1

Pen's back at school,following her being held captive by Reach, explaining her scars to her new “friends”. They don't believe her, even when she tells the truth. Who would? Still, their disbelief and promise that they will find out what happened don't matter for the time being, as it's off to go see Parva. I started off by thinking more Pen! Heck yes! I loved her in The City's Son. It's great to see she's the focus of The Glass Republic. I really like the idea of another version of Pen, and the added intrigue of the mirror world, which we were kind of introduced to in The City's  Son, but it seems like it'll be a bit more involved in this one.

Chapter 2

This quickly looks back to Pen was first adjusting to her scars. It shows the awkwardness you get when you don’t fit in, and with her scars and the fact that for the first week, she really doesn’t fit in as she chooses not to wear makeup. There’s also lots of bad flashbacks for Pen, for abuse from both Reach and Dr Salt. I loved seeing how she reacts to everything, with her religion and her choice to work to become physically strong. It’s these little things away from the big fantastical elements that really build up her character.          

Chapter 3

This is a more happy chapter, in which Pen and Parva talk, and dance, and have fun.  It’s a lot of fun, and sets Parva up as a totally different character to Pen, despite the physical similarities and them both being equally awesome. I definitely wanted to know more about Parva, how Pen and Parva came to be different, and life in the London-under-glass that we were briefly introduced to in The City’s Son.

Chapter 4

Longer chapter, back to Beth for the time being. I’m glad she isn’t forgotten about, even though the focus has changed. She’s exploring the city, and finds a sewermandar. And names him Oscar. And has a text conversation with Pen that shows the friendship between Beth and Pen really well, and  gives way to one of my favourite lines from this book: “I only went and got a bloody dragon!” This chapter brings out one of my favourite things about Tom’s writing and this world, the fantasy and imagination and description that creates such a beautiful new  world for the story to happen. This chapter then sets up some more of the plot: Pen asks if there’s a way to go behind the mirrors. Beth’s not sure. Beth leaves, a little awkwardness in the air, and sees Pen dancing with someone who isn’t there.  

What did you think of this? Leave comments here or at the Jo Fletcher blog, or use the hashtag of  #SkyscraperThroneReread .

Tom can be found at his website, twitter and goodreads.

My review of The City’s Son can be found here and my review of The Glass Republic can be found here.
You can get copies of The City's Son and The Glass Republic from amazon by clicking the links. 

Don't forget to go to Utter Biblio to follow chapters 5-8 of The Glass Republic!

Book Review-The Glass Republic by Tom Pollock

Title: The Glass Republic

 Author:  Tom Pollock

Series:   Skyscraper Throne #2

Published: August 2013 by Jo Fletcher 

Length: 464 pages

Source: publishing

Other info: The City's Son, book one, is awesome. Book three should come some day. 

Summary :  Pen’s life is all about secrets: the secret of the city’s spirits, deities and monsters her best friend Beth discovered, living just beyond the notice of modern Londoners; the secret of how she got the intricate scars that disfigure her so cruelly – and the most closely guarded secret of all: Parva, her mirror-sister, forged from her reflections in a school bathroom mirror. Pen’s reflected twin is the only girl who really understands her.

Then Parva is abducted and Pen makes a terrible bargain for the means to track her down. In London-Under-Glass looks are currency, and Pen’s scars make her a rare and valuable commodity. But some in the reflected city will do anything to keep Pen from the secret of what happened to the sister who shared her face.

Review: After the events of The City's Son, Pen has been left with scars over  face, and with Parva, her  sister of a kind-a double in London Under-Glass, the reflection of the city  found in the mirrors. Pen's been trying to get back to normalcy, but one day, Parva isn't in the mirror. What is in the mirror is blood. After making a deal with the Chemical Synod, Pen travels through London Under-Glass, passing as

her mirror sister, a countess and the Face of the Looking Glass Lottery,  and gets pulled into the world where people are stripped of their faces, where people go missing, and a group called the Faceless are on the streets.

I finished The City's Son and knew I had to read this as soon as I could. Because reasons.

Pen is an awesome character. I liked her in The City's Son, and I'm really glad we get a whole book for her.  She could choose to carry on with her life of relative normalcy, but instead goes back. She then pays a huge price for passage to London Under-Glass, adapts quickly, and is clever and quick in certain situations. Espel, the girl who Pen saves and puts on staff, is a whole load of surprises, especially around the 200 page mark. The  romance is nice.  There's repeat appearances from Beth and the Chemical Synod and some other familiar faces from The City's Son. It kept things going and set up for book 3, but I like that the main focus is Pen in London Under-Glass.

I know Tom has received a few very ignorant comments from people. Pen is Muslim,  and it's a sad thing that there isn't more Muslim main characters  in literature in general  (or any religion that isn't Christian/fantasy religion-says a lot about diversity). 

I really like the comments on beauty in society. In this world, Pen is attacked violently for not telling how she got her scars (people from her school burn her headscarf), and she acknowledges that she isn't the most desirable due to them. In London Under-Glass, asymmetry (in a world where the standard is being only one half of you is actually you, the other half is a symmetrical copy) is desirable, valuable, and Pen is loved for them. Also,  props to the US team who showed Pen's scars on the cover.  Ok, that last paragraph wasn't particularly on topic about how The Glass Republic comments on beauty in society. But it did, subtly. Just read it.

Once again, it is wonderfully unique. London Under-Glass has a different flavour to our fantasy filled London. There's a bit of possible squick with the people without faces and with the excitations, but it's morbidly fascinating to imagine.

Guys. Guys. Guys. The ending. And the title for book 3. I CANNOT WAIT PLEASE TIME TRAVEL BE INVENTED BOOK THREE NEEDS TO COME NOW.

On a final note, I want a sewermander. Dragon that manipulates gas. Made of fire. Oscar is awesome.

Overall:  Strength 4.5, very slightly more a 4, to a great continuation to a unique series.

Links: Amazon | Goodreads | Author website |

Guest Post-Tom Pollock on Cities

 Today, we have Tom Pollock talking about his inspiration for the London and the use of cities of The City's Son.

When you think about it, cities and language have a lot in common. They’re both vast, sprawling artefacts, put together over centuries by the conscious and unconscious collaboration and conflict of thousands of people. They’re both always evolving - carrying the markers of the culture that created them, its climate and its commerce, its aspirations and its fears. They are humanity’s most ancient technologies.

If cities are like languages, then urban fantasy cities are half-encrypted texts, promising revealed secrets with every corner turned.  The world of the The Skyscraper Throne  is one where decoding the street lamps reveals the glass skinned, tungsten-veined dancers who light them, and where when your train stops on the track for no apparent reason it’s because the Railwraith – the train’s mad spirit -- has slipped the chains of its engine and is stampeding around causing havoc. Epic fantasies, very often are stories of the distant and the renowned – an easy to underestimate underdog treks across a vast world for a showdown that will be immortalized in song. Urban fantasy is opposite of that. The soul of urban fantasy is the secret and the local. These are stories that know where you live.

Cities are crammed with invitations to make things up. They contain such a concentration of people that sooner or later the collisions between their lives will strike sparks that leads to stories. They’re so complex that no one person can fully understand even a tenth of the detail about how they work. In turn, they contain so many mundane mysteries that we can speculate to explain: where did that cul-de-sac originally lead to? What lives on top of those towers, out of sight, looking down on us? And how did Red Serpent Street get its name? Urban fantasy speaks to our inner conspiracy-nut.  The core of it is a simple, and very appealing idea:

It was all around you this whole time, and you had no idea. Look a little closer and you’ll see.

Let me slip from simile to metaphor. Cities are built languages. The older and thornier and messier and more complicated they are the more stories are inscribed in the curves and winds of their streets. And so we come at last to London.

London’s been a major port, immigration hub and capital for two thousand years. It was never built to a plan, no one architect ever forced it into the image of her mind. It’s a squabble, a fight a raucous, laughing conversation, a challenge, a prayer and a dirty joke, all in a tongue you walk and live in rather than speak.  It’s one of the greatest treasure houses of this kind of story you could ever imagine.

Sorry it took so long to bring this to you! The City's Son and its sequel The Glass Republic are both excellent urban fantasy books, made even better if you have an undying love for London. 

Find Tom at his website, twitter and  blog 

Book Review- The City's Son by Tom Pollock

Title: The City’s Son

 Author: Tom Pollock

Series:  The Skyscraper Throne #1

Published:  2 August 2012 by Joe Fletcher Books

Length: 422 pages

Warnings: violence, sexual abuse, adult themes

Source: publisher

Summary : Hidden under the surface of everyday London is a city of monsters and miracles, where wild train spirits stampede over the tracks and glass-skinned dancers with glowing veins light the streets.When a devastating betrayal drives her from her home, graffiti artist Beth Bradley stumbles into the secret city, where she finds Filius Viae, London’s ragged crown prince, just when he needs someone most. An ancient enemy has returned to the darkness under St Paul’s Cathedral, bent on reigniting a centuries-old war, and Beth and Fil find themselves in a desperate race through a bizarre urban wonderland, searching for a way to save the city they both love. The City’s Son is the first book of The Skyscraper Throne: a story about family,friends and monsters, and how you can’t always tell which is which.

Review:  There’s more to London than you’ve ever know.live people in statues. Trains with minds of their own. Electric dancers. And an evil god in the skyscrapers. Beth, after one last act of betrayal, has been thrown out of her school and her home. After unexpectedcly coming across a pair of fighting railwraiths, she then finds Filius Viae, the Son of the Street, the son of Mother Thames, the goddess of London who has been absent for years. Together, they face adventure, danger and all kinds of things as they try and find a way to keep their London safe.

I love London. I live about 30 minutes from there and I think that wandering round and looking at landmarks and pretty buildings and such is a great way to spend a day. Books set in the UK are good because I understand them and the language and idioms and such. Set in my favourite city? Huge bonus.

I also love urban fantasy. And if there was ever  a book to describe that term, this would be it. Pollock has created creatures that you couldn’t think about ever. The originality in coming up with the city’s underworld is amazing. This is a drawback in some ways. For example, on my first reading, I was tired and I just couldn’t envisage these things .  This is one of the few books where I recommend  a rereading, because a second time round, I got a lot more brilliance from this. There isn’t much world building, more a take it as you go along. This adds pace to the story and if you can handle it, you’ll love it.

The characters are really good. Oh Fillius, I love you. I’m not sure why, but you are just generally awesome. You go through a lot, you stay strong and you are the most unique character I’ve come across. Beth is just as good a main character, feisty, talented, and really brave. I also really liked Parva, Beth’s best friend who should have featured a little bit more. Beth’s father, you feel for a lot, and Victor provides welcome humour. The other secondary characters are all distinctive and really well written.

The plot is really interesting. I like the fact that Reach is simply an ever present threat, not up and in your face too much. The preparing and going to war was really interesting, and there’s a few character storylines too that just make you want to go up to almost every single one of them and hug them.

The writing is good.  The writing of action scenes and the description of everything are the best features of this, but for a really dark and gritty book (a lot of adult themes running through this) there’s some snatches of humour that are welcomed.

Overall:   Strength 4.5 average (1^st reading 4, second a 5) rounded up to a  5 tea to urban fantasy in the best sense of the word.

Links: Amazon | Goodreads | Author website |